Alastair Cook forced his way into the record books in 2006, becoming one of the few England players to score a hundred on debut. By going on to become the only Englishman to hit seven Test centuries before his twenty-third birthday, Alastair found himself in the company of the greatest players in cricketing history. STARTING OUT is Alastair's personal account of this speedy climb to stardom. Equally gifted at music, he opted for cricket as a schoolboy and the young left-hander broke record after record as he progressed to become the first-choice opener for Essex. Now an integral part of the England team with over forty caps, Alastair is perfectly placed to describe the highs and lows of life within the England cricket camp during one of the most exciting and turbulent periods of their history, both on and off the field. Updated to include the full story of the 2009 Ashes series, STARTING OUT amounts to a fascinating insight into life as one of the rising stars of English cricket.
Illustrating the interconnectedness between the various steps in the overall fabrication route, Ceramic Processing and Sintering, Second Edition approaches the fundamental issues of each process and show how they are applied to the practical fabrication of ceramics. What was once the factory is now the university. As deindustrialization spreads and the working class is decentralized, new means of social resistance and political activism need to be sought in what may be the last places where they are possible: the university and the art world. Gerald Raunig's new book analyzes the potential that cognitive and creative labor has in these two arenas to resist the new regimes of domination imposed by cognitive capitalism. Drawing on Gilles Deleuze's concept of "modulation" as the market-driven imperative for the constant transformation and reinvention of subjectivity, in Factories of Knowledge, Industries of Creativity, Raunig charts alternative horizons for Alastair Cook : Starting Out - My Story So Far download ebook pdf resistance. Looking at recent social struggles including the university strikes in Europe, the Spanish !Democracia real YA! organization, the Arab revolts, and the Occupy movement, Raunig argues for a reassessment of the importance of cultural and knowledge production. The central role of the university, he asserts, is not as a factory of knowledge but as a place of creative disobedience.
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